In director Akira Kurosawa's comedic YOJIMBO a masterless samurai Sanjuro Toshir Mifune wanders into a town divided by two warring clans. After displaying his formidable swordsmanship before both clans in a brawl with street thugs Sanjuro offers his services to the highest bidder. When one clan conspires against him the clever warrior switches his allegiance to the other side with the ultimate goal of tricking the two equally despicable and foolish clans into exterminating each other. Sanjuro's authority is challenged however when Unosuke Tatsuya Nakadai a brother of one of the leaders comes to town wielding a modern contraption: a gun. In the classic final showdown the old world samurai is pitted against new world progress and must use both his wits and physical prowess to survive. Perhaps Kurosawa's most overtly comic film YOJIMBO easily ranks with the director's finest work. In this reconception of the Western Mifune plays Sanjuro the tough mercenary of few words to perfection often allowing his subtle mov