Bytes and Backbeats : Repurposing Music in the Digital Age

From Attali's cold social silence to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. Steve Savage, however, deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of repurposing as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing art and a self-conscious artifice reflects and feeds into our evolving notions of creativity, authenticity, and community.

Three original audio projects form an integral part of the work, drawing from rock & roll, jazz, and traditional African music. Through these projects, Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience from the perspective of composers, musicians, and listeners. This work stems from Savage's experience as a professional recording engineer and record producer.