| Item 9781844835119$0.01 - $3.95 How would it feel to stand in the Sistine Chapel as Michelangelo painted? To watch him create his breathtaking sculptures? James Hall, an art critic, historian, and lecturer, puts us in that amazing position, and in the process reveals intriguing details on the master artist’s life and thoughts. Despite a reputation for being a truc... | |
Conversaciones con Miguel Angel/ Coffee with Mich... How would it feel to stand in the Sistine Chapel as Michelangelo painted? To watch him create his breathtaking sculptures? James Hall, an art critic, historian, and lecturer, puts us in that amazing position, and in the process reveals intriguing details on the master artist’s life and thoughts. Despite a reputation for being a truculent loner, Michelangelo was an eloquent speaker in two dialogues compiled in the 1540s, and the “conversation” here comes from those and a number of other sources, including contemporary biographies, Michelangelo’s many letters and poems, and anecdotes and quotations relayed by contemporaries.
Presents a fictionalized interview with Michelangelo, where the extraordinary artist discusses his life, his art, and his times.
Coffee with Michelangelo General
| ISBN | 9781844835119 |
| Fiction/Non-Fiction | Fiction |
| Publisher | Duncan Baird Pub |
| Pages | 144 |
| List Price | $9.95 |
| Author | Hall, James |
| Publication Date | 09/01/2007 |
| Release Status | In Print |
| Format | Hardcover |
| Language | English |
| Measurements | Height: 4.75 Inches (US)Width: 4.25 Inches (US)Thickness: 0.75 Inches (US)Unit Weight: 0.52 Pounds (US) |
| Series | Coffee With. . . |
| Foreword | Norwich, John Julius |
How would it feel to stand in the Sistine Chapel as Michelangelo painted? To watch him create his breathtaking sculptures? James Hall, an art critic, historian, and lecturer, puts us in that amazing position, and in the process reveals intriguing details on the master artist’s life and thoughts. Despite a reputation for being a truculent loner, Michelangelo was an eloquent speaker in two dialogues compiled in the 1540s, and the “conversation” here comes from those and a number of other sources, including contemporary biographies, Michelangelo’s many letters and poems, and anecdotes and quotations relayed by contemporaries.
Presents a fictionalized interview with Michelangelo, where the extraordinary artist discusses his life, his art, and his times.
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