Mazorca : Objects Of Common Ceremony

For more than twenty years, William Morris has captivated and intrigued the art community with hauntingly evocative and beautiful glass sculptures. He has captured the imagination time and again by creating objects that appear to be ancient stone or wood carvings, not the modern glass sculptures they actually are. His art speaks of human origins, myth, ancestry, and ancient civilizations. It symbolizes a harmony between humanity and nature and provides a ghost-like bond to the world around us - a world that is often forgotten, ignored, and abused.
Morris gathers much of his inspiration from ancient cultures from around the world - Egyptian, Asian, Native American - all peoples who respected and admired the land they inhabited. Because of this, Morris's artwork has become something all its own: culturally distinct and yet familiar to all cultures. His pieces embody a spiritual quality that sharply contrasts old beliefs with those of the modern world. These objects speak to our senses and continuously beg us to explore them further. William Morris: Mazorca, Objects of Common Ceremony does just that, exhibiting Morris's most recent collections in detailed images that seemingly come to life on the page, just as his sculptures come to life in the studio.

This oversize volume (12.25x12.25<">) features essays by writer Isabelle Allende and art historian Yood, and striking full-page color photographs of Morris' small and compelling glass sculptures. Mazorca means corn, and is one of Morris' recurring motifs, along with real & mythical animal and human figures. The sculptures look like fetishes or ritual objects made of clay or bronze or stone, and seem more likely to have been dug up in a South American jungle than crafted in glass in the 21st century. Includes a checklist of plates, and a biography of the artist. There is no subject index. Annotation ©2005 Book News, Inc., Portland, OR (booknews.com)