Product Details
The Incredible Jazz Guitar of Wes Montgomery [Remaster] (CD)Album Notes
| Miscellaneous |
| Personnel: Wes Montgomery (guitar); Tommy Flanagan (piano); Percy Heath (bass); Albert Heath (drums). |
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| Recorded at Reeves Sound Studios, New York, New York on January 26 and 28, 1960. Originally released on Riverside (9320). Includes original release liner notes by Orrin Keepnews. |
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| Personnel: Wes Montgomery (guitar); Tommy Flanagan (piano); Percy Heath (upright bass); Albert Heath (drums). |
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| Recording information: 1960. |
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| John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960. |
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| The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar to sing with warmth and with beauty. The lyrical rendition of "Polka Dots And Moonbeams" and his own "D-Natural Blues" are prime examples of the fullness of his lines. To this day, whenever a guitarist uses octaves he runs the risk of comparison to Wes, such was his mastery of this technique. Another aspect of his legacy is the compositions. Since their appearance on this album, "Four On Six" and "West Coast Blues" have become standard jazz repertoire. Yet to remain in awe merely of his approach is to miss the point of what he has to say. Montgomery's technique served only to express the emotions and inspirations born from the depths of his soul. From the strings of his guitar, through all the amplifiers, tapes and speakers, what shines through is Wes' heart and a style without which there wouldn't be players like Pat Martino, Kevin Eubanks and Mark Whitfield today. |
Album Details
| Album Title | The Incredible Jazz Guitar of Wes Montgomery [Remaster] |
| Performer | |
| Number of Discs | 1 |
| Genre | |
| Sub-Genre | |
| Engineer | Orrin Keepnews |
| Producer | Orrin Keepnews |
| Mono/Stereo | Stereo |
| Studio/Live | Studio |
| Label | Riverside Records (Jazz) |
| Catalog Number | 36 |
| Release Date | 09/01/1991 |
| Import | No |
| UPC | 025218603621 |
Artist/Group
| Overview |
| Wes Montgomery's warm sound and hard-driving swing are, for many listeners, the epitome of jazz guitar. Rising from relative obscurity in the late 1950s, he became a huge sensation in the '60s, to the point that his recording career veered increasingly into commercial realms. Montgomery could tear off exhilarating solos with effortless grace, and in his relatively brief career he left an enduring legacy of brilliant playing. |
| Definitive Albums |
| Ballads For Two |
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| Full House |
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| Further Adventures of Jimmy and Wes |
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| So Much Guitar! |
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| The Incredible Jazz Guitar of Wes Montgomery |
Also See
| Performers |
| Bracco, Enrico; Davis, Miles; Hendrix, Jimi; Jackson, Milt; Kelly, Wynton; Mastersounds (The); McDuff, Jack; McLaughlin, John (Jazz); Montgomery Brothers (The); Project G-5; Project G-7; Reinhardt, Django; Smith, Jimmy (Jazz) |
| Albums |
| A Tribute to Wes Montgomery; Asmokin' at the Half Note; Bags Meets Wes [Remaster]; Bags Meets Wes!; Bags Meets Wes! [Remaster]; Complete Live at the Half Note; Dynamic Duo; Dynamic Duo [Remaster]; Further Adventures of Jimmy and Wes; Going Wes; Kismet/The King & I |
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