Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Post and Lintel, Stained Glass, Window, Defenestration, Daylighting, British and Irish Stained Glass, Window Shutter Hardware, Rose Window, Insulated Glazing, Stained Glass Conservation, Light Tube, Smart Glass, Leadlight, Window Film, Window Blind, Tracery, Rayonnant, Mashrabiya, Window Screen, Hagioscope, Safety and Security Window Film, Hunter Douglas, Safestyle Uk, Mini Blind, Window Shutter, Replacement Windows, Clerestory, Sash Window, Hurricane Shutter, Porthole, Cathedral Glass, Transom, Low Emissivity, Smart Film, Sidelight, Embrasure, Louver, Defogger, Oculus, Muntin, Mullion, Dormer, Roller Shutter, Fanlight, Jalousie Window, Diocletian Window, Screen Painting, Casement Window, Bay Window, Lightwell, Chambranle, Stanchion, Oriel Window, Lancet Window, Shoji, Storm Window, Display Window, Espagnolette, Window Valance, Glazier, Crémone, Bow Window, Oeil-De-Boeuf, Wall Dormer, Pleated Blinds, Window Covering, Caradco, Window Insulation, Paned Window, Tikijhya, Came, Angel-Lights, Lucarne, Equip'baie. Excerpt: In early 19th century Britain, beginning with an armorial window created by Thomas Willement in 1811-12, there was a revival of the art and craft of stained glass window manufacture. This revival gained impetus until stained glass windows became a such a common and popular form of coloured pictorial representation that many thousands of people, most of whom would never commission or purchase a painting, contributed to the commission and purchase of stained glass windows for their parish church. Within fifty years of the beginnings of commercial manufacture in the 1830s, British stained glass grew into an enormous and specialised industry, with important centres in Newcastle, Birmingham, Whitechapel in London, Edinburgh, Glasgow... More: